Everything about Spanish Phonology totally explained
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This article is about the
phonology of the Spanish language. It deals with current phonology and
phonetics as well as with historical developments thereof, including geographical variants (for details, see the articles on
History of the Spanish language and
Spanish dialects and varieties).
Spanish has many
allophones, so it's important here to distinguish
phonemes (written in slashes / /) and corresponding allophones (written in brackets [ ]).
Consonants
Phonetic notes
/t/ and /d/ are laminal denti-alveolar.
/b/, /d/, and /g/ are
approximants ([β̞], [ð̞], [ɣ˕]; hereafter represented without the undertack) in all places except after a pause, a
nasal consonant or, in the case of /d/, after a
lateral consonant; in such contexts they're voiced plosives.
/ʝ/ is an approximant in all contexts except after a nasal, /l/, or a pause where it's an
affricate ([ɟʝ]). The approximant allophone differs from non-syllabic /i/ in a number of ways; it has a lower
F2 amplitude, is longer, can only appear in the syllable onset (where non-syllabic /i/ never appears), is a
palatal fricative in emphatic pronunciations, and is unspecified for rounding (for example
viuda [ˈb
juða] 'widow' vs
ayuda [aˈ
ʝʷuða] 'help').
/θ/ and /s/ become voiced before voiced consonants as in
jazmín ('Jasmine') [xaðˈmĩn] and
rasgo ('feature') [ˈrazɣo̞]. While /s/ becomes
dental before denti-alveolar consonants, /θ/ remains
interdental in all contexts. /x/ may be pronounced
uvular before /u/ (including when /u/ is in the syllable onset as [w]).
Archiphonemes
Although there are only three nasal phonemes and two lateral ones, /l/ and the
nasal consonants assimilate to the
place of articulation of following consonants even across word boundaries; because nasals are only contrastive before vowels (word-finally only /n/ appears) noncontrastive nasal realizations elsewhere are considered part of a nasal archiphoneme; assimilatory allophones are shown in the following table:
| nasal |
lateral |
| word |
|
gloss |
word |
|
gloss |
| ánfora |
[ˈaɱfo̞ɾa] |
'amphora' |
|
| encía |
[e̞n̟ˈθia] |
'gum' |
alzar |
[al̟ˈθaɾ] |
'to raise' |
| antes |
[ˈan̪t̪e̞s] |
'before' |
alto |
[ˈal̪t̪o̞] |
'tall' |
| ancha |
[ˈanʲtʃa] |
'wide' |
colcha |
[ˈko̞lʲtʃa] |
'quilt' |
| cónyuge |
[ˈko̞ɲɟʝuxe̞] |
'spouse' |
| rincón |
[riŋˈko̞n] |
'corner' |
|
| enjuto |
[e̞ɴˈχuto̞] |
'dry' |
|
Likewise, the
alveolar trill and
alveolar tap contrast intervocalically but are otherwise in
complementary distribution with the trill appearing in the word onset and after /l/, /n/, or /s/ and the tap being usual elsewhere.
Vowels
Spanish has five vowels /i/ /e/ /a/ /o/ /u/. Each occurs in both stressed and unstressed syllables:
| stressed |
unstressed |
| piso |
'I step' |
pisó |
's/he stepped |
| peso |
'I weigh' |
pesó |
's/he weighed' |
| paso |
'I pass' |
pasó |
's/he passed' |
| poso |
'I pose' |
posó |
's/he posed' |
| pujo |
'I bid' (present tense) |
pujó |
's/he bid' (past tense) |
Spanish diphthongs>
|
Example |
Meaning |
| Falling |
| /ei/ |
rey |
king |
| /ai/ |
aire |
air |
| /oi/ |
hoy |
today |
| /eu/ |
neutro |
neutral |
| /au/ |
pausa |
break |
| /ou/ |
bou |
seine fishing |
| Rising |
| /je/ |
tierra |
earth |
| /ja/ |
hacia |
towards |
| /jo/ |
radio |
radio |
| /ju/ |
viuda |
widow |
| /wi/ |
fuimos |
we went |
| /we/ |
fuego |
fire |
| /wa/ |
cuadro |
picture |
| /wo/ |
cuota |
quota |
Spanish also has six falling
diphthongs and eight rising diphthongs. In addition, during fast speech, sequences of vowels in hiatus become diphthongs wherein one becomes non-syllabic (unless they're the same vowel, in which case they fuse together) as in
poeta [ˈpo̯eta] ('poet') and
maestro [ˈmae̯stɾo] ('teacher'). Spanish also possesses
triphthongs like /wei/ and, in dialects that use a second person plural conjugation, /jai/, /jei/, and /wai/ (for example
buey, 'ox';
cambiáis, 'you change';
cambiéis, '(that) you may change'; and
averiguáis, 'you ascertain').
Phonetic nasalization occurs for vowels occurring between nasal consonants or when preceding a syllable final nasal.
An epenthetic [e̞] is inserted before word-initial /s/ + consonant. e.g
escribir ('to write') but
transcribir ('to transcribe').
Stress
Spanish is a
syllable-timed language, so each syllable has the same duration regardless of stress. Stress most often occurs on any of the last three syllables of a word, with some rare exceptions at the fourth last. The
tendencies of stress assignment are as follows:
- In words ending in vowels and /s/, stress most often falls on the penultimate syllable.
- In words ending in all other consonants, the stress more often falls on the ultimate syllable.
- Preantepenultimate stress occurs rarely and only in words like guardándoselos ('saving them for him/her') where a clitic follows certain verbal forms.
In addition to the many exceptions to these tendencies, there are numerous
minimal pairs which contrast solely on stress such as
sábana ('sheet') and
sabana ('savannah'), as well as
límite ('boundary'),
limite ('[that] he/she limits') and
limité ('I limited').
Phonological stress may be marked orthographically with an
acute accent (
ácido,
distinción, etc). This is done according to the mandatory stress rules of
Spanish orthography which are similar to the tendencies above (differing with words like
distinción) and are defined so as to unequivocally indicate where the stress lies in a given written word. An acute accent may also be used to differentiate homophones (such as for 'tea' and for 'you').
Phonotactics
Spanish syllable structure is (C)(L|R)V(C)(S) with a maximal example being the first syllable of
transporte.
Dialectal variation
One notable dialectal feature is the merging of /ʝ/ and /ʎ/ into one phoneme (
yeísmo); in metropolitan areas of the Iberian Peninsula, /ʎ/ simply loses its laterality and in some South American countries, they're both realized as [ʒ]. Other dialectal variations include /x/ → [h] and the merging of /θ/ and /s/ in areas of Andalusia, Canary Islands, and Latin America (see
ceceo for more information).
/s/ is also the subject of some variation; in most of Spain, it's
apicoalveolar while it's
laminal in Andalusia, Canary Islands, and Latin America.
[s] may become the approximant [ɹ] before a
rhotic (
israelita: [iɹrae̞ˈlit̪a]). In many places it debuccalizes to [h] in final position (
niños), or before another consonant (
fósforo) - in other words, the change occurs in the
coda position in a syllable. In the Colombian Caribe,
gemination may occur before /k/ or /f/ consonants (
pescado: [pe̞ˈkːaðo̞] or [pe̞ˈkːao̞],
fósforo: [ˈfo̞fːo̞ro̞]).
From an autosegmental point of view, the /s/ phoneme in Madrid is defined only by its
voiceless and
fricative features. This means that the point of articulation isn't defined and is determined from the sounds following it in the word or sentence. Thus in Madrid the following realizations are found: /peskado/ → [pe̞xkao̞] and /fosforo/ → [fo̞fːo̞ro̞]). In parts of southern Spain, the only feature defined for /s/ appears to be
voiceless; it may lose its oral articulation entirely to become [h]) or even a geminate with the following consonant ([o̞βihpo̞] or [o̞βipːo̞] from /obispo/ 'bishop').
In most of Spain and the
Caribbean, /d/ is usually omitted in the past participle ending
-ado (this is also true in Southern Spain for
-ada and
-ido). In Southern Spain, /x/ may be dropped in final position.
In colloquial Chilean speech, /ɾ/ is totally assimilated to produce
gemination before /t/ (
carta: [ˈkat̪ːa]), /n/ (
carne: [ˈkanːe̞]) and /l/ (
perla: [ˈpe̞lːa]). In the Colombian Caribe, it produces gemination before almost every consonant (
barco: [ˈbakːo̞],
árbol: [ˈabːo̞l],
arde: [ˈad̪ːe̞], etc.), and is replaced by [ʔ] in final position (
saber: [saˈβe̞ʔ]).
Further Information
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